7/11/2023 0 Comments Microcosm artThis exhibition explores this extraordinary environment through the eyes of three contemporary photographers, John Bigelow Taylor, Dianne Dubler and Sally Larsen. Using materials for the architectural setting prefabricated in Suzhou, the garden capital of China, and rocks from the Suzhou area, a team of 40 Chinese artists and artisans took up residence on the grounds in 1998 and finished their work in six months. Based on the designs of Zhou Gongwu, widely acknowledged as China's leading scholar in the area of classic garden design, it is the only authentic classical garden built in the United States. The New York Chinese Scholar's Garden opened to the public in June 1999. It is held in conjunction with the First International Symposium on Chinese Classical Gardens, April 26-28, 2002, organized by the New York Chinese Scholar's Garden, in collaboration with Asia Society, China Institute, and Columbia University. Mao and Judith Whitbeck (Curator, Chinese Scholar's Garden at the Staten Island Botanical Garden), this exhibition is a photographic exploration of The New York Chinese Scholar's Garden, located on Staten Island, New York. Information about image downloads and licensing is available here.Chambers Fine art is pleased to announce the opening on April 24 of Microcosm - The New York Chinese Scholar's Garden. To help improve this record, please email. Object information is a work in progress and may be updated as new research findings emerge. The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world. Ira Frank Reference Number 1944.521 IIIF Manifest Printed 1613 Medium Engraving on ivory laid paper (discolored to buff), cut, with etching on ivory laid paper components, laid down on letterpress printed ivory laid paper, and mounted onto cream wove paper Dimensions Engraved sheet: 35.9 × 26.5 cm (14 3/16 × 10 7/16 in.) Letterpress printed secondary support: 51 × 34 cm (20 1/8 × 13 7/16 in.) Credit Line Gift of Dr. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. Status Currently Off View Department Prints and Drawings Artist Lucas Kilian Title First Vision, from Mirrors of the Microcosm Place Germany (Artist's nationality) Dateĭates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Indeed, an unidentified brown substance was applied to Eve’s genital area under two sets of modesty flaps-an unusual gesture of censorship, or perhaps prayer for offspring. The series elicited strong reactions due to its heady mix of allegorical iconography and Vesalian anatomy, made ever more potent by the removable organs and naked flesh. Each constructed impression has survived in a different arrangement and bears signs of viewer interaction. The etched organ flaps were cut out and pasted on the backs of the main engraved images, which were cut open, forming yet more flaps. These show how tightly Kilian organized the interior flaps for printing. Then he blessed the reuse of his “unripe fruit” as book illustrations.Perhaps uniquely for flap prints of this era, eighteenth-century restrikes from the plates for the 1619 second state are known. The medical doctor Johann Remmelin, who designed these flap prints as a student, coyly denied responsibility for the 1613 edition until the single-sheet prints appeared to be selling. The second and third Visions display larger-scale images of Adam and Eve respectively, each standing on a skull with its own flaps. The first sheet, or Vision, boasts male and female flap figures after Dürer’s 1504 Adam and Eve engraving. The viewer could dissect its male and female corpses as an educational medical exercise or purely out of morbid curiosity. This trio ( 1944.461, 1944.462, and 1944.521) of engraved, etched, and letterpress-printed anatomical broadsheets by the Augsburg artist Lucas Kilian boast over a hundred superimposed organ flaps.
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